Now close the windows and hush all the fields:
If the trees must, let them silently toss;
No bird is singing now, and if there is,
Be it my loss.
It will be long ere the marshes resume,
I will be long ere the earliest bird:
So close the windows and not hear the wind,
But see all wind-stirred.
When I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.
And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words
A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.
I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.
A voice said, Look me in the stars
And tell me truly, men of earth,
If all the soul-and-body scars
Were not too much to pay for birth.
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
‘Waste no compassion on these separate dead!’
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
Anger in its time and place
May assume a kind of grace.
It must have some reason in it,
And not last beyond a minute.
If to further lengths it go,
It does into malice grow.
‘Tis the difference that we see
‘Twixt the serpent and the bee.
If the latter you provoke,
It inflicts a hasty stroke,
Puts you to some little pain,
But it never stings again.
Close in tufted bush or brake
Lurks the poison-swellëd snake
Nursing up his cherished wrath;
In the purlieux of his path,
In the cold, or in the warm,
Mean him good, or mean him harm,
Whensoever fate may bring you,
The vile snake will always sting you.
I saw a famous fountain, in my dream,
Where shady path-ways to a valley led;
A weeping willow lay upon that stream,
And all around the fountain brink were spread
Wide branching trees, with dark green leaf rich clad,
Forming a doubtful twilight-desolate and sad.
The place was such, that whoso enter’d in,
Disrobed was of every earthly thought,
And straight became as one that knew not sin,
Or to the world’s first innocence was brought;
Enseem’d it now, he stood on holy ground,
In sweet and tender melancholy wrapt around.
A most strange calm stole o’er my soothed sprite;
Long time I stood, and longer had I staid,
When, lo! I saw, saw by the sweet moon-light,
Which came in silence o’er that silent shade,
Where, near the fountain, something like despair
Made, of that weeping willow, garlands for her hair.
And eke with painful fingers she inwove
Many an uncouth stem of savage thorn-
‘The willow garland, that was for her love,
And these her bleeding temples would adorn.’
With sighs her heart nigh burst, salt tears fast fell,
As mournfully she bended o’er that sacred well.
To whom when I addrest myself to speak,
She lifted up her eyes, and nothing said;
The delicate red came mantling o’er her cheek,
And, gath’ring up her loose attire, she fled
To the dark covert of that woody shade,
And in her goings seem’d a timid gentle maid.
Revolving in my mind what this should mean,
And why that lovely lady plained so;
Perplex’d in thought at that mysterious scene,
And doubting if ’twere best to stay or go,
I cast mine eyes in wistful gaze around,
When from the shades came slow a small and plaintive sound.
‘Psyche am I, who love to dwell
In these brown shades, this woody dell,
Where never busy mortal came,
Till now, to pry upon my shame.
At thy feet what thou dost see
The waters of repentance be,
Which, night and day, I must augment
With tears, like a true penitent,
If haply so my day of grace
Be not yet past; and this lone place,
O’er-shadowy, dark, excludeth hence
All thoughts but grief and penitence.’
‘Why dost thou weep, thou gentle maid!
And wherefore in this barren shade
Thy hidden thoughts with sorrow feed?
Can thing so fair repentance need?’
‘O! I have done a deed of shame,
And tainted is my virgin fame,
And stain’d the beauteous maiden white,
In which my bridal robes were dight.’
‘And who the promised spouse, declare:
And what those bridal garments were.’
‘Severe and saintly righteousness
Compos’d the clear white bridal dress;
Jesus, the son of Heaven’s high king,
Bought with his blood the marriage ring.
A wretched sinful creature, I
Deem’d lightly of that sacred tie,
Gave to a treacherous world my heart,
And play’d the foolish wanton’s part.
Soon to these murky shades I came,
To hide from the sun’s light my shame.
And still I haunt this woody dell,
And bathe me in that healing well,
Whose waters clear have influence
From sin’s foul stains the soul to cleanse;
And, night and day, I them augment,
With tears, like a true penitent,
Until, due expiation made,
And fit atonement fully paid,
The lord and bridegroom me present,
Where in sweet strains of high consent,
God’s throne before, the Seraphim
Shall chaunt the extatic marriage hymn.’
‘Now Christ restore thee soon’-I said,
And thenceforth all my dream was fled.
Famous Poetry 